So, I don't really do new year's resolutions, but this year I am going to try to commit to a few things. This may be a bit ambitious, so don't flog me if I fail on some account.
1. Release of Sunrise at the Speakeasy in 2012 (finally)
2. Finish studio recordings of the following unreleased songs:
The Ocean & The Easel Part 1 :The Ocean
-Wash Away
-Sally
-Banana Leaves
-The Seaman's Wharf
-Fishes & Birds
-Chicken of the Sea (taste like chicken)
-Mister Octopus (yes, that is the title)
-Portuguese Man of War
-The Bottle
-The Siren
-The Ocean & The Easel
The Ocean & The Easel Part 2: The Easel
-Digitized
-Western Front
-Daddy
-Cherry Falls
-600 Miles
-Pretty Decent Guy
-After the Apocalypse
-God in The Telephone Book
-Single File
-Down So Low
-Big from Down Here/Sirens of Brooklyn (ballad version)
-The Famine & The Flood
-Act Like a Girl
3. Move to Canada.
There you have it.
Lotsa Love
R
Showing posts with label god in the telephone book. Show all posts
Showing posts with label god in the telephone book. Show all posts
Friday, December 02, 2011
sort of but not quite a new year's resolution
Wednesday, March 17, 2010
God In The Telephone Book (live)
I had the privelage of sharing the stage with the very lovely Amy Clarke
at Sidewalk Cafe last month for a benefit concert she did for the victims
of the quake in Haiti. Amy is an extremely talented musician friend who used to
live in New York but alas, she left us for the left coast. She is missed.
Here is a clip of an improv version of God in The Telephone book, a yet to be release song of mine. Hope you enjoy.
R
at Sidewalk Cafe last month for a benefit concert she did for the victims
of the quake in Haiti. Amy is an extremely talented musician friend who used to
live in New York but alas, she left us for the left coast. She is missed.
Here is a clip of an improv version of God in The Telephone book, a yet to be release song of mine. Hope you enjoy.
R
Monday, March 15, 2010
God in The Telephone Book- Lyrics

She met buddah on a downtown train
He said baby let me ease our pain
so she crossed her legs and she meditated when she could.
She met a friar with fleeting hair.
He said baby let me take you there so she
spread her legs in an abbey by the wood.
yes she did yes she did.
She found light wherever she looked.
She found light wheverer she looked.
She and lucifer had some tea.
He said baby won't you live with me.
I've got a killer view and the heat is free
no broker's fee.
So she sold her soul and she bought some shoes.
Good things always come in toes. She sang in red
where she used to sing in blue.
yes she did yes she did yes she did.
She found light wherever she looked.
She found light wherever she looked.
She and lucifer said goodbye.
She couldn't live with the heat so high.
She said you'd be surprised.
He's a real nice guy.
So she drove her car through the bible belt.
She thought she might find god there, she felt,
but the more she drove, the more like hell it smelled.
yes it did yes it did yes it did.
She found light wherever she looked.
She found light wherever she looked.
She found god in the telephone book.
Monday, August 18, 2008
The clone gospel choir
On Saturday I indulged a studio wish list item by purchasing the Abbey Road refills for Propellerhead reason.
I mentioned these in an earlier post, if you recall. (scroll down if you don't)
I've been very fixated on the demo for Duct Tape and Superglue which is sort of morphing from demo to studio track bit by bit.
I played and recorded some mellotron samples. I then recorded backing vocals in 3 part harmony. The effect of the two together is this rather amazing gospel choir sound that gives me chills in a good way. It's like I cloned myself and took 9 versions off to choir practice....such fun.
When I started recording Sunrise, I approached originally from this place rooted in African Spiritual music but centered on the idea that perhaps technology can impose a sort of slavery and disconnection that on one level seems to advance society, but on another is setting us back in so many regards.
I took a break and stepped away from the album, coming back to realize that what I thought was done is missing a few songs.
right now the songs that I am focusing on are
-Duct Tape and Superglue
-God in the Telephone Book
-Chickens and Eggs (a re-recording of this track)
I know I promised an album for the summer, but I must be flexible and realize that I would rather have something with which I feel "right" and complete. I promise you that it will be worth the wait.
I mentioned these in an earlier post, if you recall. (scroll down if you don't)
I've been very fixated on the demo for Duct Tape and Superglue which is sort of morphing from demo to studio track bit by bit.
I played and recorded some mellotron samples. I then recorded backing vocals in 3 part harmony. The effect of the two together is this rather amazing gospel choir sound that gives me chills in a good way. It's like I cloned myself and took 9 versions off to choir practice....such fun.
When I started recording Sunrise, I approached originally from this place rooted in African Spiritual music but centered on the idea that perhaps technology can impose a sort of slavery and disconnection that on one level seems to advance society, but on another is setting us back in so many regards.
I took a break and stepped away from the album, coming back to realize that what I thought was done is missing a few songs.
right now the songs that I am focusing on are
-Duct Tape and Superglue
-God in the Telephone Book
-Chickens and Eggs (a re-recording of this track)
I know I promised an album for the summer, but I must be flexible and realize that I would rather have something with which I feel "right" and complete. I promise you that it will be worth the wait.
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